NOSFERATU THE VAMPYRE
AUTUMN 1978
SIGHT AND SOUND SAYS: Klaus Kinski’s Count Dracula looms over Isabelle Adjani’s Lucy Harker in the shadowy still from Herzog’s Nosferatu the Vampyre which adorns this 1978 cover. Kinski’s Dracula was described as a “ bald, bat-eared, rodent-toothed cadaver” by our critic, and Adjani as a human embodiment of purity and light – these characterisations made all too apparent by this haunting image.
AUTUMN 1978
SIGHT AND SOUND SAYS: Klaus Kinski’s Count Dracula looms over Isabelle Adjani’s Lucy Harker in the shadowy still from Herzog’s Nosferatu the Vampyre which adorns this 1978 cover. Kinski’s Dracula was described as a “ bald, bat-eared, rodent-toothed cadaver” by our critic, and Adjani as a human embodiment of purity and light – these characterisations made all too apparent by this haunting image.
AUTUMN 1978
SIGHT AND SOUND SAYS: Klaus Kinski’s Count Dracula looms over Isabelle Adjani’s Lucy Harker in the shadowy still from Herzog’s Nosferatu the Vampyre which adorns this 1978 cover. Kinski’s Dracula was described as a “ bald, bat-eared, rodent-toothed cadaver” by our critic, and Adjani as a human embodiment of purity and light – these characterisations made all too apparent by this haunting image.
Product Information
PAPER TYPE: LUSTRE PHOTO PAPER 240 GSM
SIZE: A1 / 59.4 x 84.1cm
FRAME: BLACK
FRAME DIMENSIONS:
DEPTH FROM WALL: 22mm
FACE WIDTH: 20mm
REBATE WIDTH: 5mm
REBATE DEPTH: 17mm
ECO PROPERTIES: WATER-BASED INKS
SUSTAINABLY SOURCED PAPER / WOOD
PRINTING METHOD: GICLÉE
PACKAGING: RIGID, DOUBLE-WALL CORRUGATED CARDBOARD BOXES ENSURING MAXIMUM PROTECTION.