NOSFERATU THE VAMPYRE
AUTUMN 1978
SIGHT AND SOUND SAYS: Klaus Kinski’s Count Dracula looms over Isabelle Adjani’s Lucy Harker in the shadowy still from Herzog’s Nosferatu the Vampyre which adorns this 1978 cover. Kinski’s Dracula was described as a “ bald, bat-eared, rodent-toothed cadaver” by our critic, and Adjani as a human embodiment of purity and light – these characterisations made all too apparent by this haunting image.
AUTUMN 1978
SIGHT AND SOUND SAYS: Klaus Kinski’s Count Dracula looms over Isabelle Adjani’s Lucy Harker in the shadowy still from Herzog’s Nosferatu the Vampyre which adorns this 1978 cover. Kinski’s Dracula was described as a “ bald, bat-eared, rodent-toothed cadaver” by our critic, and Adjani as a human embodiment of purity and light – these characterisations made all too apparent by this haunting image.
AUTUMN 1978
SIGHT AND SOUND SAYS: Klaus Kinski’s Count Dracula looms over Isabelle Adjani’s Lucy Harker in the shadowy still from Herzog’s Nosferatu the Vampyre which adorns this 1978 cover. Kinski’s Dracula was described as a “ bald, bat-eared, rodent-toothed cadaver” by our critic, and Adjani as a human embodiment of purity and light – these characterisations made all too apparent by this haunting image.